电影名：Faibles femmes 弱者女人 女人是弱者
THREE of France's more attractive and unbash-young female stars are put to a minor ignominy in the French film, "Women Are Weak" ("Faibles Femmes"), an intended comedy in color. They are made tochase madly and shamelessly after a character, played by Alain Delon, who is supposed to be thoroughly fascinating, but, for our francs, is not.
This young man, whom some genius press agents of the time had helpfully tagged "the French James Dean," has long, silky hair, high cheekbones and a loose-jointed, soigné air. In close-ups (of which there are many), he smiles come-hitherly and generally is condescending towards the lovelies, who simply flip for him. He rides a motorcycle and affects the hauteur of a "cat." Under Michel Boisrond's intense direction, he is intensely the focus of the show.
But the point is too labored and obvious. The impression soon sets in that this is primarily an effort to promote a new glamour boy. And the fact that the rest of the picture, the story and dialogue, lacks subtlety and wit—is, indeed, downright foolish in its pretense of male attractiveness—finishes it.
There are other annoying aspects. It is apparent that producer Paul Graetz and M. Boisrond, the director, have endeavored to pump some cheap eroticism into it. There is a swimming-pool scene, full of young folk as near nudist as the law allows, which contains some rather seamy shenanigans between the hero and a newly married girl. And there is another scene in which the hero is pounced upon by the three dames and given such a rough-housing as might worry the circumspect.
Fortunately, the girls are fetching. Mylene Demonget is perhaps the most wholesome-looking and impressive. She is the beautiful blonde who was last seen here in "Witches of Salem." She's got the reach and everything on M. Delon. Pascale Petit is what her name says—a skinny little thing with a gamin air. She plays the girl, newly married, who still is a moth for her former flame. Jacqueline Sassard is the spiritual one, a plainly precocious convent girl who is led into mischief and expulsion by the hero's ineffable charm.
Obviously, all three of these young ladies are stronger than M. Delon. It is tiresome to see them wasting their strength on the likes of this film.
There are English subtitles, but they are no brighter than the script.
电影名：Private Practices: The Story of a Sex Surrogate 隐私案例：一位性代替者的故事
替身性伴侣(sexual surrogate)
这个术语意思是指在性治疗师的指导之下，为没有定期性伴的女人(在罕见的病例中为男人)提供性治疗服务(“性替身疗法，sex surrogate therapy”)。这种类型的疗法在假定某些有性问题的客户需要性的行为实践的前提下开展治疗，并且为了能让这种客户进行行为实践，他们需要合作的性伙伴。如果客户没有他们自己的性伙伴，治疗师会为他们提供。不幸的是，术语“替身，surrogate”诋毁了这种取报酬的志愿者，因为他们要取代“真正的”或相当理想的、想象中的、迄今难以获得的性伴。这是十分不公平的。一个人不应该被利用作为代偶或替代那个也许更“合法的”他人(如果存在的话)。包括“替身”在内的每一个人是一个活生生的个人，并且从他或她的权利方面是一个真实的性伙伴。人们不应该在语义花招上贬低他们做人的尊严。当然，这个使人遗憾的术语最初由性治疗师所杜撰，为的是避免因“拉皮条”和“做老鸨”或进而“通奸”受到控告。然而，这个术语的用法在本质上终归是和仍将是不诚实的。更客观的术语表达或许有“临时性伴，temporary sexual partner”或“性健康护理工作者，sexual health care worker”。
乔安娜是个的慕男狂，她的警察丈夫也乐意通过录制性爱录像来使他们的激情和欲望能够重新回到婚姻之初。然而，他打开的乔安娜和其他男女在床上的录像中，有一个政治家，而这位政治家正意图关闭所有的性俱乐部....
A police officer videotapes his wife having various sexual encounters to spruce up their marriage, which soon lands both of them in hot water with a mobster whom blackmails them to videotape an encounter with a crooked politician.
我觉得女主好看。
别名：All About Anna / 关于安娜的艳史 / 安娜 / When Johan Came Knocking
安娜（格莱·贝 Gry Bay 饰）一直坚信，男友乔纳（马克·史蒂文斯 Mark Stevens 饰）是自己的真命天子，但是很显然，乔纳并不这么想，他抛弃了安娜，开始了独自探索世界的旅程。一晃五年过去了，这五年里，安娜从来都没有忘记过去乔纳，终于，在日复一日的痛苦中，安娜想通了，她开始了在陌生人身上寻求安慰的混乱生活。
一次偶然中，安娜结识了名叫弗兰克（Thomas Raft 饰）的男子，弗兰克的温柔和善良逐渐治愈了安娜的内心，就在安娜重新振作只是，乔纳居然回到了安娜的身边，重新陷入纠结的安娜离开了弗兰克，但几乎是在同时，乔纳再度失去了音讯。安娜将注意力转移到了工作上，但在内心里，她明白，乔纳总有一天还会回来。
关于爱的定义太复杂 太宽泛 但我还是相信它是单纯无暇 是基于心灵上的彼此依赖 是一种所谓家庭的根基 可是 也有个问题无法回避——所谓的爱情 会不会只是一个掩人耳目虚张声势要死要活的表象？真相？各自心知肚明吧。
