团鬼六，男，1931年4月出生于日本兹贺县。日本剧作家，团鬼六的作品《花与蛇》使他一夜成名，该片一时成为1974年日本的话题电影。到二十世纪90年代初期为止，团鬼六约创作了200部sm小说。1989年，发表断笔宣言，声称退出SM文坛，进行了一次惨痛的商业尝试。破产之后，约过了十年，团鬼六从返文坛，并发行了两本自传《花必腥》和《团鬼六的映画世界》。
团鬼六其实是一位小说家，其小说以sm著称，经典异常，特别是花与蛇系列，可谓之神作，所以我们传统意义上说的团鬼六作品全集其实指的是团鬼六编剧的作品，或者是团鬼六小说改编的电影。
介绍：别名：Flower and Snake 2: Sketch Of Hell (1985) a.K.a Hana to hebi: jigoku-hen Here is the first sequel to Nikkatsu Studio’s 1974 hit FLOWER AND SNAKE; Shogoro Nishimura directs this adaptation of erotica author Dan Oniroku’s novel. Kaori Aso lives in the wealthy family. She cheated her stepmother that she has been kidnapped by somebody. Unfortunately, Aso’s accomplice really kidnapped Aso and her stepmother and forced them to play SM games. Aso’s driver tried to rescue them, however… Again a big enema scene is at the centre of this telling of the tale and whilst it is a bit wince inducing, it does not quite have the nasty edge of the original. Beautifully, colourfully and gleefully shot, this is an amazingly focused tale of capture, bondage but more especially humiliation. Much is made of the two naked female protagonists being mother and step-daughter and despite the explicit close-ups of the proceedings, there is always room to show the men and women enjoying the ‘spectacle’. The serious tone is set at the start and apart from a pause for a disco dance in the midst of all the rape and torture and the eye popping and completely OTT ending, things remain on that level throughout. Amazing and it is only regrettable that the English language does not seem to have words to describe just how amazing Japanese cinema can be.
介绍：别名：Flower and Snake ’74 (1974)。 Naomi Tani plays the role of Shizuka, the aristocratic wife of the president of a large company. When she wants to divorce her domineering husband, he orders his employee Yoshi, the son of an adult toy store owner, to train his wife to become sexually submissive. Yoshi has been rendered impotent due to a childhood trauma resulting from his killing a black American soldier who had been having sexual relations with his mother. During the course of his training of the masochist Shizuka, Yoshi recovers from his affliction. One of the more gruelling scenes involving an extensive forced enema, the sequence is ultimately played for laughs! But then the first bondage rape scene ends up being played as romantic, so be prepared for anything and never imagine you will be able to anticipate a good Japanese film maker. Devastating and philosophical, horrifying and whimsical by turns, this outrageous and stupendous piece of film making ultimately presents us with the most controversial of images as the bound slave visibly controls her ‘masters’ and as the film closes on a freeze frame as cynical as any Bunuel, she recruits another.
介绍：好片子，情节紧凑。。。。。。。 很不错的电影，一个女人复仇的故事！ 团鬼六的编剧，剧本好，演员好。 美貌の女博徒，鬼ゆりのお胜は，一宿一饭の义理から，榎屋一家の亲分·三右ヱ门を叩き斩って，五年の刑を终えて出所した三右ヱ门の娘·ハイカラお仲に命を狙われながらも，服役中に知り合い，兄弟分のちぎりを交わした江戸幸组娘娘·お秀を访ねるために旅立ったお胜だったが，途中立ち寄った赌场でカサマに巻き込まななないところを突然现れた盲目の女博徒，波千鸟のおににっわれるおっとるににになることになったお胜だったが，江戸幸组の縄张りを狙う新川一家さらに込いに巻き込まれていく... “木枯し纹次郎关わりござんせん”で好演した中村英子が女博徒·お胜を演じ，お胜を狙うハイカラお仲を池玲子が演じるさらに菅原文太が博徒用心棒に身を落とした渡世人になって登场，无敌の杀阵で せる。明治中期の关东を舞台に，男まさりにやくざの世界に身をおく六人の女侠の赤裸々な生き方を轴に，义理と人情の波间にただよう女の哀しさとエロチシズムを盛り込み，华丽なアクションと広大なスケールで描く本格女任侠映画。