《女佣的秘密》是1998年由Adele Bertei-Cecchi导演,Michael Ensign/Kevin Z. James/Gladys Jimenez/Amy Lindsay等主演的美国R级、剧情电影。 电影名:Secrets of a Chambermaid 女佣的秘密 很普通的三级片,没有什么特别的地方,长相还行,个别人身材也不错,好在没有那种保龄球一样隆胸的女优,贵在胸部真实,女仆装爱好者应该会喜欢 简直看的我眼睛里的血丝都出来了,各种各样的女人,打真军 看到这种大庄园,女佣、老男管家、各式各样的享受设施等第一反应就是你被监控了或者被偷窥了。。。好吧还有更大胆的就是你可能会迎来群p或者换妻等各种“娱乐”项目。 Diary of a Chambermaid (French: Le journal d'une femme de chambre, Italian: Il diario di una cameriera) is a 1964 film.[1] It is one of several French films made by Spanish-born filmmaker Luis Buñuel but lacks the surrealist imagery and plot twists of his other films. It stars Jeanne Moreau as a chambermaid who uses her feminine charms to control and advance her situation, in a social setting of corruption, violence, sexual obsession and perversion. This was the first screenwriting collaboration between Buñuel and Jean-Claude Carrière, which would later produce his well known Belle de Jour (1967), The Discreet Charm of the Bourgeoisie (1972) and That Obscure Object of Desire (1977). The two extensively reworked the 1900 novel of the same name by Octave Mirbeau, that had been given a more literal treatment in its first film adaptation, made in Hollywood in 1946, directed by Jean Renoir.
《女佣的秘密》是1998年由Adele Bertei-Cecchi导演,Michael Ensign/Kevin Z. James/Gladys Jimenez/Amy Lindsay等主演的美国R级、剧情电影。 电影名:Secrets of a Chambermaid 女佣的秘密 很普通的三级片,没有什么特别的地方,长相还行,个别人身材也不错,好在没有那种保龄球一样隆胸的女优,贵在胸部真实,女仆装爱好者应该会喜欢 简直看的我眼睛里的血丝都出来了,各种各样的女人,打真军 看到这种大庄园,女佣、老男管家、各式各样的享受设施等第一反应就是你被监控了或者被偷窥了。。。好吧还有更大胆的就是你可能会迎来群p或者换妻等各种“娱乐”项目。 Diary of a Chambermaid (French: Le journal d'une femme de chambre, Italian: Il diario di una cameriera) is a 1964 film.[1] It is one of several French films made by Spanish-born filmmaker Luis Buñuel but lacks the surrealist imagery and plot twists of his other films. It stars Jeanne Moreau as a chambermaid who uses her feminine charms to control and advance her situation, in a social setting of corruption, violence, sexual obsession and perversion. This was the first screenwriting collaboration between Buñuel and Jean-Claude Carrière, which would later produce his well known Belle de Jour (1967), The Discreet Charm of the Bourgeoisie (1972) and That Obscure Object of Desire (1977). The two extensively reworked the 1900 novel of the same name by Octave Mirbeau, that had been given a more literal treatment in its first film adaptation, made in Hollywood in 1946, directed by Jean Renoir.